петък, 17 януари 2014 г.

(re)Emerging Patterns

Those last months my side-projects are having something of a revival. First we got our debut record as mother spit finally released, now I'll be starting the year with a live of my long forgotten death industrial / rhythmic noise project Emerging Patterns. 

Emerging Patterns 2012
Actually it's not that long since we did something with it. It was in early 2012 when we made our first two shows, which were erm... fun. We wrote our first tracks somewhere in late 2010 and ever since then we've been slowly adding new stuff, leaving everything unpublished for no particular reason. Check out our piece 'Process' below, it's actually the only stuff we have put online.



Anyhow we're back now, at least for a show w/ the cool German band Phosgore. For that case we made several new and quite more rhythmic tracks, improved some oldies and reworked some abandoned sketches, but Emerging Patterns is still atmospheric and forever NOISY as HELL. The rest you can hear only live. The event link is below. We hope the PA at the venue will survive our distortion/overdrive abuse.

сряда, 4 декември 2013 г.

mother spit debut out on Aetheric Records


Finally out through an awesome label, in a super limited edition, on the format we've always envisioned this piece to published.

mother spit live 250410
  
A tiny disclaimer - mother spit is Angel S. (Mytrip) and Martin L. (gokkun). It's a collab that has existed only live. Our music is somewhere between drone, ambient and noise. We create in a total decline of any other communication means, but the sound itself, which is developing on its own as much as its manually shaped. We basically played one live per year from 2009 until 2011. We're still trying to find all recordings from those shows, hopefully they're not forever lost. We almost got re-united in 2013, but eventually it didn't happen.

mother spit ft. Tsveti live 060411
A lot of love for the boutique UK label Aetheric Records who have decided to put out our debut as an extremely limited run of 3” CDr's and of course as a Digital Download. The awesome Stephen Cammack was also kind enough to do a short write up on what's in 'carve'.


In a world of grey.
In the surround of abandonment.
The offer to crawl from the scorched earth.
And drown in the freezing pool of mother spit.
A post apocalyptic feel, very Eastern European - the escaping gas swirling around only inches above the earth...

~ Stephen Cammack (SoundArt Radio, Dieter Müh)



Looking so much for the moment when me and Martin L. will be playing live again. In the meanwhile enjoy 'carve', send us some feedback, and maybe at some point we'll confess that we do have one more piece waiting somewhere unedited to be set free one day. Hmm... as I said, until then... 'carve'.

събота, 9 ноември 2013 г.

Leaver and some upcoming travels

I guess I have to start using this blog not only to show off current works and feedback, but for more everyday writings. Something that's not boring people to death. Will see if I do it, however it feels pretty dead here already, I hope there's still somebody catching up on stuff from time to time.

And as you can guess from the introduction, this one will be again for the good old showing off. After the recent (June 2013) cuts of all bands I had been involved in I was left with quite a lot of time and energy for new music, and it somehow resulted in something new. It's a project called Leaver, it's a duet with Daniel Donchov, a good fellow, who's taken up my place as a bassist in Expectations. The project brings my work in the drone / ambient field together with a taste of singer-songwriter stuff in a pretty interesting and enjoyable, especially for playing live, mixture.

Here's a video with a live sound of our very first rehearsal.




We already have a full record written, artworks prepared. What's left is to be recorded and published. We already have 3, 4 shows scheduled and spanning over what's left of this year and the beginning of the next one. The debut is on November 13 w/ the Polish Drip of Lies, and Torah, a pretty cool sludge duo, also based here in Sofia, Bulgaria. 

131113 Leaver (debut) w/ Torah & Drip Of Lies (PL) @ Sofia
Another show in December will be announced shortly, but the better news are for something happening in March 2014. Info will be unleashed late December.

As to my other activities, I've got a bunch of records I'm pretty proud of coming in the next few months, including the debut mother spit 3" CDr which I was trying to find a home for almost 3 years until I reached the rad people at Aetheric Records. Mytrip is also putting out something new, a quite harsh and extreme split tape w/ Human Larvae on Danvers State Recordings (US). Until then I'll be playing several weekend shows, for currently I'm a busy corporate dude with a day job, investing every coin saved in new gear so I can get back to freelancing as soon as possible!

Here's some posters and events. Hear you soon.

3011 Mytrip & Portable Elephant @ Question Mark, Bucharest

0112 Mytrip & Portable Elephant @ Old School, Rousse

понеделник, 30 септември 2013 г.

As Far Away As Near (2013)


Watch an excerpt of the video at serapionov.info

'As Far Away As Near' (2013) is another video art piece featuring my music, this time in a collaboration with my buddy Martin Lukanov. The piece is a work by Kalin Serapionov. It's combining various night city landscapes, all filmed at random. Our task in building and structuring the sound was to create an absurd soundscape, merging with the lo-fi urban ambiance, already captured by the camera. 

What we did was play around with a no-input circuit using an almost broken mixing board. Besides all inner sounds emerging in the console I played a lot of synths and various software instruments, and we got their sound destroyed by the mixer as well.

The result? Well you have to hear it. It's sometimes subtle, sometimes piercing your ears with ultrasounds and often it reaches harsh ambient/drone or almost industrial peaks. 'As Far Away As Near' (2013) has already been presented abroad, and from October 2nd until November 2nd it will be shown in ICA Sofia. The opening is on October 1st at 18:00. Details here.


четвъртък, 29 август 2013 г.

'[UN]Limited Edition' (2013)

'[UN]Limited Edition' in progress.
Pretty soon after I collaborated with Iskra Ivanova on her video art piece 'Corpus', already presented in detail here, we are again knee deep in a new common project, this time with the visual artist Neno Belchev aboard. This brand new collaboration, named '[UN]Limited Edition', will bring me for a first time in the field of contemporary dance. In 2012 I took part as a part of a live sound session for a performance of a similar type called "Хлябът на живота". However, back then me, |14| and Teeth of Divine basically played live ambient/drone/noise improvisation set during the performance, which we hadn't seen beforehand. 

This time the process is far more organized as this project is actually Iskra's first artist residency at the awesome Derida Dance Center in Sofia. So far I can't really disclose any details about the music, but I'll surely post some snippets as soon as I structure all that's in my head.

It's premiere for Sofia is scheduled for 27/09 at Derida Dance Center and the performance will start at 21:30. The performance will be shown in Varna on the next day - 28/09 at contemporary space.

 
[UN]Limited Edition @ Contemporary space, Varna

More info (in Bulgarian) about all of us, and the project can be found here. Here's an excerpt of the sound ambience I've created for the piece.

неделя, 18 август 2013 г.

Corpus (2013)

As I explained few posts ago, my freshly abandoned music activities in the hardcore/punk/metal scene will be replaced by sticking more to electro-acoustic and media music. Not only because this is the field I want to grow in, but it's also the place where I can independently develop my music without other (master) minds interfering in my aesthetic choices. One of the latest results of this is called "CORPUS", it's short film, somewhere between video art and visual music. It was initiated and created by the Bulgarian contemporary dancer and performance artist Iskra Ivanova and it's featuring a piece I exclusively created and recorded.The good news is that collab won't be our last, so keep an eye for updates are coming soon!

"The main goal of this video is to show the body beyond cultural, anthropological, social, political and tribal beliefs.
"

A curious fact about the piece I created for the video is that it was solely composed on a mobile device. Then it was heavily resampled and reamped, thus retaining its original structure. The only additional element was a speech recording of Iskra explaining the concept of the project, which after my intervention became one of the leading "melodies" in the piece.


CORPUS from Iskra Ivanova on Vimeo.

понеделник, 1 юли 2013 г.

Surviving '100 years Mahorka'


Last year after I played Artmospheric I was pretty sure I have to stick to making open air shows. The feeling of your own music spreading in a free environment, and its interaction with nature was a factor too interesting to be not examined further. This year the event was way smaller, cosier and really DIY. Called '100 Years of Mahorka' and curated by the oldest Bulgarian net-label (Mahorka). Curated is a pretty strong word for what we experienced there so let's limit the description to initiated. It started in the night of June 28th in an awesome forest near a beach and some abandoned campsites some 20, 30 kilometres from Varna. We got there on the next (Saturday) morning after the usual 8 hours in the Sofia-Varna train, 3 of which by law spent on our feet. We found the generator dead as it ran out of gas several hours ago, just like all other survivors from last night. So we also lied down for an early nap.

Our roof
Around 10 most of the people hatched from their tents and hideouts. Several artists pussied about the lack of strict line up and organization and left the festival, as they I guess felt the need for somebody telling them what and when to do. In an hour the generator was filled with gas and Ivo at Skylined (one of the two main persons behind the event) started blasting his favorites among weird music. At a point we ran, or actually dragged ourselves to the beach, but shortly came back to find the 'stage' almost abandoned and our line up quickly started forming itself.

Line up in the making
Todor at r3s (whose stash of dried foods kept me alive, cus once again I was travelling cashless meaning also foodless) dropped a rad IDM set, heavily gravitating around the new Boards Of Canada. After him Moodix followed and he was totally an awesome discovery as so far I only knew him from several tracks from the old myspace. His melodic tracks with minimalist and grainy rhythms were a great soundtrack to the magical place we found ourselves in. After he finished it was my turn. The sun has started to hide and as Daniel at Deflax (whose set I sadly missed as he played the last night) noted the dusk was the perfect time for Mytrip. In 45 minutes of music I walked through looping and heavily resampled field recordings, effected beyond recognition recent tracks of mine, some of which will come out soon accompanying video works, and finally I continued with the usual layering of heavy, but this time quite more melodic, yet still abrasive soundscapes. I hope I'll be able to recreate some part of all I played and share it as I was having a lot of fun building my set. After me Portable Elephant came on stage, heavily equipped with guitar pedals and in general tons of gear. Thankfully it didn't rain during their set, because it would have been quite detrimental hahah. Their show was awesome and really interesting as usual. Angel and Kaloyan surely have been playing a lot together, because even improvising their sound was structured and co-ordinated which is amazing and makes their music really powerful. However Portable Elephant was the last live show for the night.

Portable Elephant Live @ 100 години Махорка (откъс)

Radio Noah from Varna came on stage after them and played the best DJ set for the day/night. Obscure ambient tracks, mixed in a very creative and detailed manner. This with the darkness that embraced our sacred place of isolation made Nikolay's performance really precious. After that I've fallen asleep on some jungle/dnb music. At a certain point I woke up to find Brokoli aboard with his signature set ranging from oldschool rave, to heavy breakcore and weird and crazy intermissions such as oldschool Bulgarian music (all hail the beloved Rosi Kirilova hahah). However, even his tunes weren't sufficient to beat my tiredness and at a point I've fallen asleep again wrapped in the sleeping bag. The next thing that woke me up were rain drops falling over me. We knew that on Sunday it's gonna rain, but we kinda expected it later and not at 4 o'clock in the morning.

I got up and started assembling my stuff, I put everything under a tree thinking it's just a tiny rain and it will pass soon. All around in the darkness there were people running around caring and hiding their gear. I saw Brokoli running all over the place screaming 'Fuck this shit, this is worse than the cops stopping your party". A car was brought to host the soundsystem as the rain was getting heavier and a certain point I realized we're kinda fucked up, as me and Plamen at fl3xibl3 were the only people with no tents. For a few moments, from perfectly calm I went pretty anxious as I realized I was already soaking wet and so was my backpack stuffed with gear. We found the table on the 'scene' and hid our shit there as it was the only place not touched but the rain. However water was slowly coming to flood it too, so we stayed under the rain just hoping it will pass soon. And it did actually slow down. That very same second we grabbed our stuff and headed for the bus stop which is some 15-20 minutes of walking down the road. It was already 4:40 so the sky started getting lighter and we were even able to see where we were walking. The rain didn't start again and we safely got to the bus stop. Thankfully our backpacks held our gear dry and this was the only thing that mattered. I dried myself and changed clothes. The rest was easy, a bus came to take us to Varna, then we walked around the grumpy morning city and at 10 I got on the train to Sliven. Too bad we couldn't say bye to our mates, as it was a great gathering, too bad the rain firmly ended the festival so early, and we missed a lot of sets, by people who travelled a lot to play, but I guess this was just another reason to do such a gathering again! Big ups to Oshogy, Ivo, VPD and everybody involved in organizing this. No ups for the people who pussied out instead of sticking to the event so we make it even bigger. But I guess this is the answer why we don't really have a stronger alternative scene in Bulgaria, cus people prefer their bedrooms and Internet as a showcase of their work, than the greater atmosphere of such a friendly and intimate event. Long live Mahorka. See you on your 1000 years anniversary!