понеделник, 30 септември 2013 г.

As Far Away As Near (2013)


Watch an excerpt of the video at serapionov.info

'As Far Away As Near' (2013) is another video art piece featuring my music, this time in a collaboration with my buddy Martin Lukanov. The piece is a work by Kalin Serapionov. It's combining various night city landscapes, all filmed at random. Our task in building and structuring the sound was to create an absurd soundscape, merging with the lo-fi urban ambiance, already captured by the camera. 

What we did was play around with a no-input circuit using an almost broken mixing board. Besides all inner sounds emerging in the console I played a lot of synths and various software instruments, and we got their sound destroyed by the mixer as well.

The result? Well you have to hear it. It's sometimes subtle, sometimes piercing your ears with ultrasounds and often it reaches harsh ambient/drone or almost industrial peaks. 'As Far Away As Near' (2013) has already been presented abroad, and from October 2nd until November 2nd it will be shown in ICA Sofia. The opening is on October 1st at 18:00. Details here.


четвъртък, 29 август 2013 г.

'[UN]Limited Edition' (2013)

'[UN]Limited Edition' in progress.
Pretty soon after I collaborated with Iskra Ivanova on her video art piece 'Corpus', already presented in detail here, we are again knee deep in a new common project, this time with the visual artist Neno Belchev aboard. This brand new collaboration, named '[UN]Limited Edition', will bring me for a first time in the field of contemporary dance. In 2012 I took part as a part of a live sound session for a performance of a similar type called "Хлябът на живота". However, back then me, |14| and Teeth of Divine basically played live ambient/drone/noise improvisation set during the performance, which we hadn't seen beforehand. 

This time the process is far more organized as this project is actually Iskra's first artist residency at the awesome Derida Dance Center in Sofia. So far I can't really disclose any details about the music, but I'll surely post some snippets as soon as I structure all that's in my head.

It's premiere for Sofia is scheduled for 27/09 at Derida Dance Center and the performance will start at 21:30. The performance will be shown in Varna on the next day - 28/09 at contemporary space.

 
[UN]Limited Edition @ Contemporary space, Varna

More info (in Bulgarian) about all of us, and the project can be found here. Here's an excerpt of the sound ambience I've created for the piece.

неделя, 18 август 2013 г.

Corpus (2013)

As I explained few posts ago, my freshly abandoned music activities in the hardcore/punk/metal scene will be replaced by sticking more to electro-acoustic and media music. Not only because this is the field I want to grow in, but it's also the place where I can independently develop my music without other (master) minds interfering in my aesthetic choices. One of the latest results of this is called "CORPUS", it's short film, somewhere between video art and visual music. It was initiated and created by the Bulgarian contemporary dancer and performance artist Iskra Ivanova and it's featuring a piece I exclusively created and recorded.The good news is that collab won't be our last, so keep an eye for updates are coming soon!

"The main goal of this video is to show the body beyond cultural, anthropological, social, political and tribal beliefs.
"

A curious fact about the piece I created for the video is that it was solely composed on a mobile device. Then it was heavily resampled and reamped, thus retaining its original structure. The only additional element was a speech recording of Iskra explaining the concept of the project, which after my intervention became one of the leading "melodies" in the piece.


CORPUS from Iskra Ivanova on Vimeo.

понеделник, 1 юли 2013 г.

Surviving '100 years Mahorka'


Last year after I played Artmospheric I was pretty sure I have to stick to making open air shows. The feeling of your own music spreading in a free environment, and its interaction with nature was a factor too interesting to be not examined further. This year the event was way smaller, cosier and really DIY. Called '100 Years of Mahorka' and curated by the oldest Bulgarian net-label (Mahorka). Curated is a pretty strong word for what we experienced there so let's limit the description to initiated. It started in the night of June 28th in an awesome forest near a beach and some abandoned campsites some 20, 30 kilometres from Varna. We got there on the next (Saturday) morning after the usual 8 hours in the Sofia-Varna train, 3 of which by law spent on our feet. We found the generator dead as it ran out of gas several hours ago, just like all other survivors from last night. So we also lied down for an early nap.

Our roof
Around 10 most of the people hatched from their tents and hideouts. Several artists pussied about the lack of strict line up and organization and left the festival, as they I guess felt the need for somebody telling them what and when to do. In an hour the generator was filled with gas and Ivo at Skylined (one of the two main persons behind the event) started blasting his favorites among weird music. At a point we ran, or actually dragged ourselves to the beach, but shortly came back to find the 'stage' almost abandoned and our line up quickly started forming itself.

Line up in the making
Todor at r3s (whose stash of dried foods kept me alive, cus once again I was travelling cashless meaning also foodless) dropped a rad IDM set, heavily gravitating around the new Boards Of Canada. After him Moodix followed and he was totally an awesome discovery as so far I only knew him from several tracks from the old myspace. His melodic tracks with minimalist and grainy rhythms were a great soundtrack to the magical place we found ourselves in. After he finished it was my turn. The sun has started to hide and as Daniel at Deflax (whose set I sadly missed as he played the last night) noted the dusk was the perfect time for Mytrip. In 45 minutes of music I walked through looping and heavily resampled field recordings, effected beyond recognition recent tracks of mine, some of which will come out soon accompanying video works, and finally I continued with the usual layering of heavy, but this time quite more melodic, yet still abrasive soundscapes. I hope I'll be able to recreate some part of all I played and share it as I was having a lot of fun building my set. After me Portable Elephant came on stage, heavily equipped with guitar pedals and in general tons of gear. Thankfully it didn't rain during their set, because it would have been quite detrimental hahah. Their show was awesome and really interesting as usual. Angel and Kaloyan surely have been playing a lot together, because even improvising their sound was structured and co-ordinated which is amazing and makes their music really powerful. However Portable Elephant was the last live show for the night.

Portable Elephant Live @ 100 години Махорка (откъс)

Radio Noah from Varna came on stage after them and played the best DJ set for the day/night. Obscure ambient tracks, mixed in a very creative and detailed manner. This with the darkness that embraced our sacred place of isolation made Nikolay's performance really precious. After that I've fallen asleep on some jungle/dnb music. At a certain point I woke up to find Brokoli aboard with his signature set ranging from oldschool rave, to heavy breakcore and weird and crazy intermissions such as oldschool Bulgarian music (all hail the beloved Rosi Kirilova hahah). However, even his tunes weren't sufficient to beat my tiredness and at a point I've fallen asleep again wrapped in the sleeping bag. The next thing that woke me up were rain drops falling over me. We knew that on Sunday it's gonna rain, but we kinda expected it later and not at 4 o'clock in the morning.

I got up and started assembling my stuff, I put everything under a tree thinking it's just a tiny rain and it will pass soon. All around in the darkness there were people running around caring and hiding their gear. I saw Brokoli running all over the place screaming 'Fuck this shit, this is worse than the cops stopping your party". A car was brought to host the soundsystem as the rain was getting heavier and a certain point I realized we're kinda fucked up, as me and Plamen at fl3xibl3 were the only people with no tents. For a few moments, from perfectly calm I went pretty anxious as I realized I was already soaking wet and so was my backpack stuffed with gear. We found the table on the 'scene' and hid our shit there as it was the only place not touched but the rain. However water was slowly coming to flood it too, so we stayed under the rain just hoping it will pass soon. And it did actually slow down. That very same second we grabbed our stuff and headed for the bus stop which is some 15-20 minutes of walking down the road. It was already 4:40 so the sky started getting lighter and we were even able to see where we were walking. The rain didn't start again and we safely got to the bus stop. Thankfully our backpacks held our gear dry and this was the only thing that mattered. I dried myself and changed clothes. The rest was easy, a bus came to take us to Varna, then we walked around the grumpy morning city and at 10 I got on the train to Sliven. Too bad we couldn't say bye to our mates, as it was a great gathering, too bad the rain firmly ended the festival so early, and we missed a lot of sets, by people who travelled a lot to play, but I guess this was just another reason to do such a gathering again! Big ups to Oshogy, Ivo, VPD and everybody involved in organizing this. No ups for the people who pussied out instead of sticking to the event so we make it even bigger. But I guess this is the answer why we don't really have a stronger alternative scene in Bulgaria, cus people prefer their bedrooms and Internet as a showcase of their work, than the greater atmosphere of such a friendly and intimate event. Long live Mahorka. See you on your 1000 years anniversary!

четвъртък, 27 юни 2013 г.

A two-week long life-changer

As you may have noticed the freshly-ended Expectations tour wasn't covered by the usual online diary. Not that it wasn't fine, but at a point you just realize that everybody who's been in a band or is somehow involved in a scene of some sort has already heard all the '12 hours in the van', 'no hot water and shower', 'finally getting some sleep in real beds' mumbo-jumbo. That's why I skipped the stories this time. The tour itself has been pretty life-changing as I had the chance to reconsider my ideas of music and came to the conclusion a big part of what I've been involved in is just not worth it. That's why after the summer Expectations Euro tour ended I decided to call it quits. And I mean to call it quits in general, and leave all bands I've been involved in so far. I won't mention names, as the status of all of them is pretty different. To some I surely don't want to be related ever again, to others I'll keep contributing as a studio collaborator and it's highly possible that I also perform live again, still on an irregular basis. The reasons are pretty clear, just check what music is being mostly played and appreciated in the hardcore/punk/metal scenes. It says it all. 

Piss off, I'm going solo.

What's left for me now, besides tons of reading and messing around with musical theory, are my sound endeavors in the fields of ambient, drone and experimental music, which thankfully are dependent only on my sole ambition to create music, and reflect only my ideology and aesthetics, which I find most appropriate right now. I'm planning to dig deeper in media music (short film, performance, theater, exhibitions, visual music) and soon I'll reveal many common projects with film-makers and alternative artists which have been in the making for the last several months. In September I'm presenting my MA thesis on Ambient music so feel free to wish me luck. And yes, I'll still be booking shows and writing about music, and I'll be more critical than ever.

If you're still curious how the last Expectations tour with me on board went, have a look below. A tour video is in the works as far as I'm aware of so an updated version of this post will follow.

020613 Frenchbulldog Live @ Dirty, Pecs, Hungary

080613 Live @ Sentinel, Bilbao, Spain

160613 Live @ Boat Club Ladja, Belgrade, Serbia

And it's highly advised to check those bands I met on the road, as they were really making something different out of their music.

Les 2 Minutes De La Haine from Tarbes, France

Dearest from Wurzburg Germany

четвъртък, 23 май 2013 г.

Expectations - South-West Europe Tour 2013

It was high time Expectations hit the road again. Last September the 'Vultures Become Eagles Tour' was more than amazing, mainly because it was shared with our awesome mates Eaglehaslanded. However this June we're heading alone (not really, we may have cooked a pretty cool surprise for random shows of the tour) to another yet unconquered part of Europe. I'll do my best to keep you posted on how we're doing, and if you find yourself somewhere in the places listed below our rad poster, painted by Katya Krasnova and designed by Iulia V., just come and say hi.

Expectations - South-West Europe Tour 2013

May 31st Bulgaria (Sofia) - Grindhouse Skateclub
http://www.facebook.com/events/450412071718405/

June 2nd Hungary (Pecs) - Strausz Ti-Ti-Tá
http://www.facebook.com/events/484783544923576/

June 3th Hungary (Budapest) - Trafik
https://www.facebook.com/events/182420818582150/

June 4th Italy (Marghera) - Pop Corn Club
https://www.facebook.com/events/655878181092307/

June 5th Italy (Mantova) - Blue Moon Pub
https://www.facebook.com/events/166152510219808/

June 6th France (Montpellier) - Up Down

June 7th Spain (Manlleu) - Rock House Osona

June 8th Spain (Valencia) - La Residencia
http://www.facebook.com/events/423030137784326/

June 9th Spain (Bilbao) - Sentinel Rock Club
https://www.facebook.com/events/611770648834467/

June 10th France (Tarbes) - Celtic Pub
http://www.facebook.com/events/479638518765480/

June 11th France (Marseille) - TBC

June 12th Switzerland (Schaffhausen) - Neustadt52
https://www.facebook.com/events/194242044059000/

June 13th Germany (Herrenberg) - JuHa Herrenberg
https://www.facebook.com/events/527005477356046/

June 14th Germany (Würzburg) - Die Kellerperle
http://www.facebook.com/events/149806378523687/

June 15th Croatia (Zagreb) - Mala dvorana Jedinstvo

June 16th Serbia (Belgrade) - Boat-club Lađa
https://www.facebook.com/events/124179027782414/

сряда, 15 май 2013 г.

Feedback *updated*

Few weeks ago I really wanted to summarize few comments, reviews and thoughts discussing music I'm involved in, so I'll just list the albums and post what people had to say about them. Some stuff is in English, some in Bulgarian just check it out. I will update this from time to time, when new thoughts reach me.

EUS / Mytrip - Split (2014)

'...cold as stone and at the same time more cohesive and monolithic.' // Santa Sangre
'...and dare I say almost soothing in parts!' // 4.9/5, tunning into the obscure
'This 60-minute ferric odyssey is full of masterful drones, both acoustic and electronic, proving, once again, that drone is not a dirty word.' // tape of the week, forest punk
'''Life" with its windswept post-apocalyptic barren landscape feel is similar to the mother spit 3" CDr. "Less" is more sinister.' // MuhMur

Human Larvae / Mytrip - Split (2014)
'Instead of killing you in a brutal attack, MYTRIP chooses the slow and painful approach to slaughtering your senses.' // Traumatic Static Webzine
'Ce qui nous tue à petit feu, ne nous rend pas nécessairement plus fort...' // Nova Express
'Noir, c'est noir.' // Des Cendres a La Cave
'Yes the violence is still there yet it refuses to reach noise levels, just discomfort levels.' // Beach Sloth


mother spit - carve (2013)

'If freedom ever had a soundtrack it would be this, simply perfectly formed fields of gray sound.' // Beach Sloth
'Using a carefully selected palette of eerie, droning electronics the track quite deliberately, and very successfully, creates a cosmically chilling Lovecraftian vibe.' // radio free midwich
'Simitchiev and Lukanov are certainly not playing with warm and fuzzy emotions, and create something akin to an art house horror film soundtrack. It all has a gradual, ritualistic, organic feel to it..' // Yeah I Know It Sucks

Mytrip - Scattered I (2013)

'This one-man drone unit has managed to create a path out of the darkness and towards one that is walked by very few into an ascended creation' // Heathen Harvest
'There's a strong intimacy behind the harshness of the sound' (translation) // Son of Marketing
'A highly menacing drone, dark gourd like blowing interrupted by irritation' // MuhMur 
'A living breathing creature made entirely out of sound' // Beach Sloth 
 'Despite this release’s darkness, this is the one of the most accessible releases to come from this genre...  not too noisy or too cluttered with distortion. It has that perfect amount of edge to it.'
// tuningintoobscure
'The sound production and collage is so deep and intensively well produced that it somehow puts me in a total trance state that makes the job of reviewing almost impossible.' // Yeah I Know It Sucks

zev died orchestra - I (2012)

'It does require some endurance on the listener's part...' // Letters From A Tapehead

Expectations - Gone EP (2012)

"Над добрата музика, доминира адски интересният глас на вокалиста, който подсилва усещането за безтегловност" // Sofia Rebel Station
"Истинска мрачна прелест" // Music Vault

Expectations - s/t (2012)

'Very dynamic and energetic, consisting of an equal dose of rushing, chest pounding tunes and slower, more dragging sections' // Natures With No Plagues
'An album you don't want to miss' // Against The Odds
'A damn exciting and cool upcoming band out of Bulgaria // Music Approved By a Banana
'The band's true strength lies, in contrasting moments of surprising beauty with a sense of understated rage' // Born Again Nihilist
' The whole record is a perfect realization of a personal form of hardcore' // We Last Longer
"Истинско изкуство, което те докосва." // Music Vault
"Така трябва да звучи българската екстремна музика през 2012 г." // Pro-Rock Magazine
"Това е албум, който ни докосва по индивидуален начин" // Sofia Rebel Station
"Лиричен, искрен, атмосферичен и достатъчно динамичен" // Metal Katehizis

Martin Lukanov & Mytrip - Between (2012)

'A piece of music that blurs the line between stasis and rhythm and melody' // Disquiet

Mytrip | EUS - Split (2012)

'Cold, bleak, windswept, monochrome industrial landscapes' // MuhMur
'No easy listening... like drowning in a murky, nearly pitch black sewer.' // Wounds of The Earth
'Quite a cold affair' // Don't Count On It
'Slothful tonalities trudging through the murk… grimey clunker gadgets tango in the wasteland of tomorrow' // International Tapes 
'It will force all the senses of imagination, clear your mind of negative thoughts' // Dead Tones

Mytrip - Low (2011)

'It would have been better to have experienced it live.' // Wounds of The Earth

Martin Lukanov & Mytrip (2011)

'Piano torque from Bulgaria' // Disquiet
'Two' is a kind of album, where you have to listen between notes' // Hidden Vibes